Atelier-style drawing instruction

Learn to see.
Learn to draw.

Classical drawing instruction for artists of any age, including school and homeschooled students ages 14 and over.

Drawing more accurately begins with learning how to see, measure, and build what’s in front of you.

Graphite portrait study showing construction lines, careful proportions, and developing valuesStudy in graphite

The approach

A method you can return to.

If you’re looking for serious, atelier-style training, the Salem Drawing Academy offers a structured path to develop your skill. Through guided practice, careful observation, and repeated work from life, you’ll learn to measure, correct, and draw your subjects with greater accuracy.

You'll be coached through a repeatable method for representational drawing to help you develop habits you can use on your own.

The goal is to become more proficient at drawing your subject accurately—not just to finish one drawing that happens to turn out well.

The curriculum

Your three-year drawing program

Three 10-week terms each academy year. Progress from foundational accuracy to sustained, independent representational drawing through guided practice, repetition, and review.

Explore each year, then open a term to see its 10-week plan.

01Year 1Foundation and accuracy

Train your eye, establish a dependable drawing process, and carry it from simple subjects into still life and figure work.

Winter · Term 1Foundations of accurate drawingJanuary 4–March 24, 2027 · 10 teaching weeks

Build the observation, measuring, and correction habits that support accurate representational drawing.

  1. Week 1

    Seeing the whole

    Learn to establish the subject’s overall structure before detail, giving every later decision a reliable reference.

  2. Week 2

    Observation through repetition

    Repeat the starting process with new subjects and compare angles and distances to develop consistent visual checks.

  3. Week 3

    Comparative measuring

    Use one part of the subject to judge another and turn proportion errors into specific, correctable problems.

  4. Week 4

    Developing structure

    Refine contours and major relationships while keeping the whole drawing accurate.

  5. Week 5

    Preparing for rendering

    Check and correct the structure, then begin describing form with light and dark values.

  6. Week 6

    Still-life foundations

    Apply the method to arranged objects, comparing their size, shape, and spacing.

  7. Week 7

    Still-life development

    Repeat a still-life study with feedback, linking accurate structure to clear value and form.

  8. Week 8

    Figure foundations

    Approach the human figure through its large shape and overall proportions, using the same familiar process.

  9. Week 9

    Figure correction

    Practice identifying and adjusting proportion errors without losing the figure’s larger structure.

  10. Week 10

    Long-pose integration

    Bring observation, measuring, correction, and early rendering together in a sustained figure drawing.

Spring · Term 2Form and valueApril 5–June 11, 2027 · 10 teaching weeks

Use value deliberately to make accurately constructed subjects read as solid forms.

  1. Week 1

    Foundation review

    Revisit block-ins and measuring to identify the accuracy habits that need further practice.

  2. Week 2

    Value relationships

    Compare light and dark relationships so shading supports the subject rather than distracting from its structure.

  3. Week 3

    Light and shadow

    Separate the major light and shadow areas to establish clear form with simple value groups.

  4. Week 4

    Simple solid forms

    Study basic volumes under one light source to connect flat drawing shapes to three-dimensional form.

  5. Week 5

    Edges and transitions

    Practice hard and soft transitions to describe turning form without losing clear boundaries.

  6. Week 6

    Still-life block-in

    Plan a still-life drawing and verify proportions before committing to extended rendering.

  7. Week 7

    Still-life rendering

    Develop the major value groups while checking the drawing against the objects throughout.

  8. Week 8

    Surface and material

    Observe how different surfaces handle light while keeping value relationships consistent.

  9. Week 9

    Sustained still life

    Carry a study further through coached revisions, balancing detail with the larger form.

  10. Week 10

    Review and repeat

    Assess the completed study and repeat a difficult passage to reinforce a more reliable process.

Fall · Term 3Figure and portrait foundationsSeptember 8–November 12, 2027 · 10 teaching weeks

Apply the year’s measuring and value skills to the relationships that make figures and portraits convincing.

  1. Week 1

    Figure proportion review

    Check overall height, width, and major landmarks to establish a sound figure block-in.

  2. Week 2

    Gesture and balance

    Observe the pose’s main direction and weight so accurate proportions also convey a believable stance.

  3. Week 3

    Major figure masses

    Study relationships between head, rib cage, and pelvis without becoming distracted by small anatomy details.

  4. Week 4

    Head construction

    Build the head from its overall shape and orientation before placing features.

  5. Week 5

    Feature relationships

    Compare feature placement and spacing to strengthen likeness through measurable relationships.

  6. Week 6

    Portrait block-in

    Develop a portrait drawing with repeated checks of the head shape and major placements.

  7. Week 7

    Portrait value structure

    Organize light and shadow to clarify the head’s form while preserving likeness.

  8. Week 8

    Figure value studies

    Use simple value groups to describe the figure without sacrificing proportion or balance.

  9. Week 9

    Sustained drawing

    Develop a longer figure or portrait study with feedback on accuracy and form.

  10. Week 10

    Year-one assessment

    Review work across the year and set specific practice goals for greater consistency.

02Year 2Structure and control

Deepen your understanding of form, anatomy, and likeness while developing greater control over sustained drawings.

Winter · Term 1Advanced still life and formDates to be confirmed · 10 teaching weeks

Strengthen the ability to organize complex subjects while maintaining accurate relationships.

  1. Week 1

    Diagnostic drawing

    Complete an observed study to identify individual strengths and recurring accuracy errors.

  2. Week 2

    Perspective in observation

    Check converging edges and ellipses to make constructed objects sit convincingly in space.

  3. Week 3

    Complex object relationships

    Compare overlapping objects and negative spaces to keep a more demanding arrangement coherent.

  4. Week 4

    Drapery structure

    Identify the major fold patterns and supporting forms before describing smaller changes.

  5. Week 5

    Drapery values

    Organize shadows and turning planes so folds read clearly without becoming fragmented.

  6. Week 6

    Composition and placement

    Plan a multi-object arrangement and its placement on the page while preserving observed proportions.

  7. Week 7

    Extended block-in

    Refine the arrangement through deliberate checks before developing value.

  8. Week 8

    Value and edge control

    Use a consistent value range and purposeful edges to distinguish objects and spatial relationships.

  9. Week 9

    Sustained refinement

    Resolve inaccuracies as the study develops rather than letting rendering hide them.

  10. Week 10

    Critique and revision

    Revise the study after review and record the checks that produced the strongest improvement.

Spring · Term 2Figure structure and anatomyDates to be confirmed · 10 teaching weeks

Use anatomical understanding to support what you observe and improve the figure’s structural clarity.

  1. Week 1

    Gesture with measurement

    Balance the pose’s movement with checks of its overall proportions.

  2. Week 2

    Skeletal landmarks

    Locate visible landmarks to guide the placement and relationship of major body parts.

  3. Week 3

    Torso relationships

    Study the rib cage and pelvis in different orientations to clarify the figure’s structure.

  4. Week 4

    Arms and hands

    Compare length, direction, and joint placement before developing smaller forms.

  5. Week 5

    Legs and feet

    Study supporting limbs and contact points to make the pose feel grounded.

  6. Week 6

    Major muscle forms

    Relate visible muscle groups to underlying structure while continuing to draw from observation.

  7. Week 7

    Foreshortening

    Use comparative measuring and overlap to judge forms that project toward or away from you.

  8. Week 8

    Figure light and shadow

    Group values across larger anatomical forms without losing the pose’s unity.

  9. Week 9

    Extended figure study

    Integrate landmarks, proportion checks, and value in a sustained drawing.

  10. Week 10

    Targeted correction

    Review the study and repeat difficult anatomical relationships to improve control.

Fall · Term 3Portrait and likenessDates to be confirmed · 10 teaching weeks

Develop likeness through precise relationships, head structure, and controlled value.

  1. Week 1

    Head angles

    Compare head orientation and proportion in front, profile, and three-quarter views.

  2. Week 2

    Skull and facial planes

    Study the larger structure that supports the features and the head’s turning forms.

  3. Week 3

    Eyes and brow

    Judge placement and surrounding structure before rendering smaller eye details.

  4. Week 4

    Nose and midface

    Compare angles, spacing, and projecting forms to maintain the subject’s individual proportions.

  5. Week 5

    Mouth, jaw, and chin

    Relate the lower features to the whole head to avoid isolated, disconnected details.

  6. Week 6

    Hair and silhouette

    Build hair as larger masses and check the outer shape as part of likeness.

  7. Week 7

    Portrait block-in

    Establish a sustained portrait with careful checks of the most important relationships.

  8. Week 8

    Portrait rendering

    Develop values and edges while checking that refinement preserves the likeness.

  9. Week 9

    Sustained portrait

    Refine the drawing through feedback, giving detail only the emphasis it needs.

  10. Week 10

    Year-two assessment

    Compare current and earlier work and set goals for accuracy, control, and independence.

03Year 3Integration and independence

Bring the method together in demanding drawings, with increasing responsibility for planning, checking, and resolving your own work.

Winter · Term 1Advanced representational drawingDates to be confirmed · 10 teaching weeks

Maintain proportion, value, and spatial clarity across more complex sustained studies.

  1. Week 1

    Independent planning

    Choose and plan an observed study, explaining the checks that will guide its accuracy.

  2. Week 2

    Complex composition

    Organize multiple forms so placement and scale remain clear across the whole drawing.

  3. Week 3

    Spatial relationships

    Use overlap, perspective checks, and value relationships to establish believable depth.

  4. Week 4

    Challenging surfaces

    Observe reflective, transparent, or textured objects without losing their larger form.

  5. Week 5

    Value compression

    Translate a wide observed value range into a controlled drawing while preserving relationships.

  6. Week 6

    Edge hierarchy

    Use edge variation to clarify focus, turning form, and depth.

  7. Week 7

    Sustained study development

    Carry a demanding drawing forward with regular self-checks and instructor feedback.

  8. Week 8

    Resolving inaccuracies

    Identify structural problems beneath developed passages and make deliberate corrections.

  9. Week 9

    Finishing decisions

    Judge where refinement improves clarity and where further detail weakens the whole.

  10. Week 10

    Critique and revision

    Evaluate the work against the subject and use the findings to guide the next study.

Spring · Term 2Advanced figure and portraitDates to be confirmed · 10 teaching weeks

Strengthen sustained accuracy and likeness while making more independent drawing decisions.

  1. Week 1

    Advanced figure block-in

    Establish a complex pose with measured relationships and clear structural priorities.

  2. Week 2

    Movement and balance

    Keep the pose convincing as its structure and contours become more precise.

  3. Week 3

    Foreshortened relationships

    Check difficult overlaps and compressed lengths with a consistent measuring process.

  4. Week 4

    Hands and feet in context

    Develop extremities in relation to the complete figure rather than as separate studies.

  5. Week 5

    Head within the figure

    Relate the head’s direction, scale, and features to the pose as a whole.

  6. Week 6

    Portrait likeness review

    Identify the relationships most responsible for the individual likeness and verify them.

  7. Week 7

    Long-pose development

    Integrate figure structure, likeness, and organized values in an extended study.

  8. Week 8

    Value and anatomical form

    Refine turning forms while keeping the larger light-and-shadow pattern clear.

  9. Week 9

    Independent refinement

    Make and explain your own correction and finishing decisions with instructor review.

  10. Week 10

    Study assessment

    Evaluate the completed drawing and address any recurring weaknesses in focused practice.

Fall · Term 3Final studies and continued developmentDates to be confirmed · 10 teaching weeks

Demonstrate a dependable drawing process and leave with a focused plan for continued proficiency.

  1. Week 1

    Final-project planning

    Plan a substantial representational drawing from observation and define clear accuracy goals.

  2. Week 2

    Composition and block-in

    Establish the complete drawing and check its placement, scale, and major proportions.

  3. Week 3

    Structural verification

    Resolve the most important relationships before investing in developed rendering.

  4. Week 4

    Value organization

    Build a coherent light-and-shadow structure that supports the subject’s form.

  5. Week 5

    Form development

    Refine volumes and transitions while continuing to check observed relationships.

  6. Week 6

    Mid-project critique

    Review progress and prioritize corrections that will most improve the complete drawing.

  7. Week 7

    Targeted refinement

    Develop selected passages without sacrificing the drawing’s larger unity.

  8. Week 8

    Resolution

    Bring the study to a considered finish and verify its accuracy against the subject.

  9. Week 9

    Portfolio review

    Select and assess representative drawings to identify progress and remaining areas for growth.

  10. Week 10

    Continued practice plan

    Review the final work and create a practical routine for further drawing development.

Graphite still life study of draped fabric, boxes, and vessels with careful value relationships
Still life study
Graphite portrait study of a woman, with visible construction and hatching
Portrait study
Full seated figure drawing in graphite, showing proportion and value
Figure study

The outcome

Build a way of seeing that stays with you.

By the end, my aim is for you to have a clearer process and stronger judgment. You’ll know how to begin a representational drawing, how to check its accuracy, and what to do when something looks off. Proficiency grows as you keep using those skills.

Thursdays

Choose your training time.

The program runs for 10 weeks, with part-time and full-time options.

The program can be started at any time.

Part-time

3 hours per week. Choose 9 am–12 pm, 1–4 pm, or 5–8 pm.

$1,050 / 10 weeks

Full-time

6 hours per week. Choose any two sessions: 9 am–12 pm, 1–4 pm, or 5–8 pm.

$2,100 / 10 weeks

Training is offered on Thursdays. Reach out for availability and enrollment details.

Find the Academy

Our location

160 Liberty St NE #B34
Salem, Oregon 97301

Ready to begin?

Ask about a spot.

Email Rich to learn more about the Salem Drawing Academy, availability, and which session fits your schedule.

For questions about the Academy or enrollment, email McCloud.arts@gmail.com.

Email about the Academy